Wildlife photography: Photographing Burrowing Owls, getting lost in the eyes of your subject.

I think it was Humphry Bogart who said, “She had the kind of eyes you could get lost in”. I love to photograph owls for a lot of reasons but mostly because of their eyes. They have the kind of eyes you can get lost in. When beginning to photograph wildlife it’s important to understand that an animal’s eyes are the most important part of the composition of a wildlife photo. Because of their large prominent eyes, owls offer a great opportunity to practice this principle. Owls, however, are very reclusive nocturnal creatures for the most part which can make finding them and subsequently photographing them quite difficult. There is one species of owl however that is relatively easy to find and is active during the day. The Burrowing Owl. If you want to practice your wildlife photography and work with a subject that has great eyes, then burrowing owls are just the trick.

Continue reading “Wildlife photography: Photographing Burrowing Owls, getting lost in the eyes of your subject.”

Photographing Yellowstone Wildlife, a Wildlife Photographer’s pilgrimage. Part 3

I don’t know about you but the first night I try to sleep in a new place I never sleep very well. A smaller bed, strange noises, and anticipation of the day ahead led to a restless night. We all know that wildlife is more active early in the morning and at dusk. The plan was to rise early with enough time to get ready and be on the road shortly before sunrise. Times of sunrise and sunset vary by longitude and time of the year. Sunrise and sunset calendars for various locations can be found easily online. In the first week of October sunrise in Yellowstone was around 7:30 each day give or take a few minutes.  We were up at 5:30, coffee in the lobby by 6:15, breakfast to go from the Canyon Eatery, and on the road, about 7:30, Scanning the roadsides for wildlife as we drove. This would be the morning routine for the next several days.

Continue reading “Photographing Yellowstone Wildlife, a Wildlife Photographer’s pilgrimage. Part 3”

Wildlife Photography Tips. Slow down, you’re moving too fast

Paul Simon wrote the 59th Street Bridge Song (” Feeling Groovy “) in 1966. The song starts with the lyrics, “slow down your moving too fast, you got to make the morning last”. I think of that song often and the message it was trying to send. It applies to every aspect of our lives. Nowadays, we all have more to do than we have time to do it. One of the reasons I picked up a camera in the first place was to force me to slow down and see the world in a different light, so to speak. It’s never more important to slow down than when trying to photograph wildlife. Nature works on its own time, and it’s not in a hurry. I think a Chinese philosopher said that, or something like it. Anyway, slow down. Nature rewards the patient photographer.

Continue reading “Wildlife Photography Tips. Slow down, you’re moving too fast”

Wildlife Photography Tips. Wow, this lens is heavy!

I can’t tell you how many times I’ve thought that to myself while walking with my supertelephoto lens. Currently I have a Nikon 500mm F4. This lens, as well as the rest of the supertelephoto group, is heavy. These lenses weighs in at around 10lbs, give or take a pound. Lugging them around is a chore. While you might occasionally take a few handheld shots with these superteles, you need to have some form of stabilization in order to consistently get keeper shots. The solution is a mono pod or tripod with some type of head. Together with your camera, battery grip, and lens, a tripod or mono pod with head adds to the weight. There needs to be a way to carry your rig comfortably, over significant distance and have it remain immediately available for use should a wildlife photography opportunity present itself. I have looked at and tried a number of combinations and the one I find most useful is this. Continue reading “Wildlife Photography Tips. Wow, this lens is heavy!”