The Wildlife Photography Apprentice
A Wildlife Photography Blog with information about wildlife photography techniques, locations and subjects based out of West Texas.
Buying and using a super-telephoto lens for wildlife photography can be a daunting task, especially if you are new to this genre of photography. A super-telephoto lens is generally considered any lens with a focal length of 300mm or more. These lenses are essential for capturing wildlife images from a distance, allowing you to capture detailed shots of animals without disturbing their natural behavior.
Like a lot of wildlife photographers, I carry binoculars with me when I go out to photograph. I recently found that my Nikon Monarch 3 binoculars were not focusing correctly. Because of their age, I decided to replace them with a new pair from Vortex Optical, the Viper HD. After my new purchase, I had nothing to lose, so I decided to test the lifetime warranty from Nikon. I sent the old pair in for repair. Somewhat to my surprise, two weeks late,r I received a new pair of Monarch M5 binoculars in their place along with a letter stating that the others were unrepairable and would be replaced at no charge. Kudos to Nikon for honoring their lifetime warranty. I now have two great binoculars, and what follows is a review of both.
Wildlife photography is a rewarding and exciting hobby, but locating wildlife can be a challenging task. Finding the right location and knowing when and where to look for wildlife is key to capturing stunning images. In this article, we will discuss some things you can do to locate wildlife to photograph in their natural settings.
When I was a kid, we used to play touch football in the street. Because there wasn’t an offensive line, we had to count ten seconds out loud before we could rush the quarterback. When we counted, we would use Mississippis because supposedly it takes one second to say “One Mississippi”. Say it ten times and you could rush the quarterback. I was out recently looking for wildlife to photograph when I came across several beautiful raptors that caused me to harken back to those days. I found myself counting each of the several birds circling overhead in Mississippis as if I were a kid on the football field. One Mississippi Kite, Two Mississippi Kites, and so on.
If you have ever been to West Texas then you know there really isn’t much to look at. You can literally drive a hundred miles and not change elevation more than 10 feet. For the most part, it’s dry and arid. The average yearly rainfall is about 14 inches and not a lot can grow in those conditions. Every once in a while though you’re lucky and you find an oasis in the desert.
I can’t tell you how many times I’ve thought that to myself while walking with my supertelephoto lens. Currently I have a Nikon 500mm F4. This lens, as well as the rest of the supertelephoto group, is heavy. These lenses weighs in at around 10lbs, give or take a pound. Lugging them around is a chore. While you might occasionally take a few handheld shots with these superteles, you need to have some form of stabilization in order to consistently get keeper shots. The solution is a mono pod or tripod with some type of head. Together with your camera, battery grip, and lens, a tripod or mono pod with head adds to the weight. There needs to be a way to carry your rig comfortably, over significant distance and have it remain immediately available for use should a wildlife photography opportunity present itself. I have looked at and tried a number of combinations and the one I find most useful is this. Continue reading “Wildlife Photography Tips. Wow, this lens is heavy!”